claude monet inspired projects monet impression sunrise

#Claude monet inspired projects monet impression sunrise series

In 1845, his family moved to Le Havre in Normandy. (He signed his juvenilia 'O. Monet'.) Despite being baptized Catholic, Monet later became an atheist. On, he was baptized in the local parish church, Notre-Dame-de-Lorette, as Oscar-Claude, but his parents called him simply Oscar. He was the second son of Claude Adolphe Monet and Louise Justine Aubrée Monet, both of them second-generation Parisians.

#Claude monet inspired projects monet impression sunrise series

In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.Ĭlaude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. From 1883 Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. The term 'Impressionism' is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris. Oscar-Claude Monet (/moʊˈneɪ/ French: 14 November 1840 – 5 December 1926) was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. After his death of lung cancer, his only surviving child, Michel, was heir to the Monet family property, which has since been restored and opened to the public, including the vast gardens. At one time, he employed seven gardeners at once. As such, he wrote precise instructions for his gardeners, with specific designs and color layouts, and amassed a large collection of botanical books. By 1890, he was prosperous to buy a large house and garden, where he would continue to paint for the rest of his life.Īs a painter of controlled nature, Monet’s garden was one of his biggest sources of inspiration. Upon the death of his wife Camille to tuberculosis after the birth of their second child, Monet was resolved never to life in poverty again, and was determined to create some of the best artworks of the 19th century. Upon the outbreak of the Franco-Prussian War, Monet fled to England, also traveling to the Netherlands before his return to Paris, after which he exhibited many of his works in 1874, at the first Impressionist Exhibition.

Upon his return to Paris, he studied the “en plein air” methods, along with Pierre-Auguste Renoir, Frederic Bazille, and Alfred Sisley, and developed the painting style that would soon be known as Impressionism. But his stay was cut short after two years when he was hit by a bout of typhoid fever, and his aunt arranged for his release, as long as he continued his art studies.

When he was twenty-one years old, he joined the First Regiment of African Light Calvary in Algeria, for a seven year tour. At the age of 16, Monet left school for Paris, where instead of studying the great artworks of the masters, he sat by the window and painted what he saw outside. Five years later, he met artist Eugene Bouldin, who taught him the techniques of “en plein air” painting and became his mentor. During his stay at the secondary school, he was known for the caricatures he would draw for the locals for ten to twenty francs each. As a child, his father wanted him to go into the grocery business, but his heart was in the profession of artistry, and at age 11, he entered Le Havre secondary school of the arts. Claude Monet was in almost every sense the founder of French Impressionist painting, the term itself coming from one of his paintings, Impression, Sunrise.